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Los memes continรบan en el 2018 y es todo su culpa (8 respuestas)

5 : : 01/01/18(lun)22:32:54 ID:PrqZJIiDC!

You ๐Ÿ‘ˆ may ๐Ÿ—“ be ๐Ÿ onto ๐Ÿฆ something ๐Ÿ˜… here. ๐Ÿ‘ Memes ๐Ÿธ used ๐ŸŽถ to ๐Ÿ’ฆ be ๐Ÿ simple. ๐Ÿ”ข Relatable. Worth ๐Ÿ’ธ a ๐Ÿ‘Œ chuckle. Then ๐Ÿ˜ฎ they ๐Ÿ‘ฅ evolved. New ๐Ÿ‘Œ formats, new ๐Ÿ‘Œ tag lines, new ๐Ÿ‘Œ content that ๐Ÿ˜ was ๐Ÿ‘ then ๐Ÿ˜ฎ turned ๐Ÿ˜ into ๐Ÿ‘‰ a ๐Ÿ‘Œ new ๐Ÿ‘Œ meme. ๐Ÿธ Then ๐Ÿ˜ฎ memes ๐Ÿธ became increasingly meta and ๐Ÿ‘ self ๐Ÿ’ฏ reflective. They ๐Ÿ‘ฅ parodied themselves ๐Ÿ˜ฑ and ๐Ÿ‘ the ๐Ÿ‘ users ๐Ÿ˜ who ๐Ÿ˜‚ both ๐ŸŒœ made ๐Ÿ‘‘ them ๐Ÿ’ฆ and ๐Ÿ‘ consumed them. ๐Ÿ’ฆ They ๐Ÿ‘ฅ built ๐Ÿ‘ off ๐Ÿ“ด of ๐Ÿ’ฆ one ๐Ÿ˜ค another. ๐Ÿ”„ They ๐Ÿ‘ฅ grew. ๐ŸŒฑ They ๐Ÿ‘ฅ morphed into ๐Ÿ‘‰ something ๐Ÿ˜… entirely ๐Ÿ™Œ novel. This ๐Ÿ‘ˆ progressed to ๐Ÿ’ฆ the ๐Ÿ‘ point ๐Ÿ“ where ๐Ÿ˜ even ๐ŸŒƒ that ๐Ÿ˜ wasn't ๐Ÿ˜ enough. ๐Ÿ’ฆ They ๐Ÿ‘ฅ had ๐Ÿ’‹ to ๐Ÿ’ฆ become ๐Ÿ˜Œ something ๐Ÿ˜… more ๐Ÿ— than ๐Ÿ‘‰ themselves. ๐Ÿ˜ฑ They ๐Ÿ‘ฅ became surreal. They ๐Ÿ‘ฅ became deep ๐Ÿ˜ฑ fried ๐Ÿ”ฅ and ๐Ÿ‘ nuked. Each ๐Ÿ‘ flavor ๐Ÿ˜ต building ๐Ÿ’’ off ๐Ÿ“ด of ๐Ÿ’ฆ the ๐Ÿ‘ last ๐Ÿ˜ and ๐Ÿ‘ transforming into ๐Ÿ‘‰ a ๐Ÿ‘Œ nearly ๐Ÿ‘ฃ intangible, unknown entity. Art progressed in ๐Ÿ‘ a ๐Ÿ‘Œ similar fashion. ๐Ÿ™‚ Started ๐Ÿ’ข off ๐Ÿ“ด simple, ๐Ÿ”ข I'm ๐Ÿ’˜ talking ๐Ÿ—ฃ cave ๐Ÿ—ป drawing ๐Ÿ““ simple. ๐Ÿ”ข Then ๐Ÿ˜ฎ some ๐Ÿ‘จ pottery and ๐Ÿ‘ some ๐Ÿ‘จ small ๐Ÿ‘Œ abstract sculptures. Subjects everyone ๐Ÿ‘ฅ could ๐Ÿ”’ relate to ๐Ÿ’ฆ and ๐Ÿ‘ understand. ๐Ÿ“š Then, ๐Ÿ˜ฎ as ๐Ÿ‘ technology ๐Ÿ’ก allowed ๐Ÿ˜– for ๐Ÿ† the ๐Ÿ‘ creation of ๐Ÿ’ฆ cultures and ๐Ÿ‘ societies, art ๐ŸŽจ began ๐Ÿ”˜ to ๐Ÿ’ฆ reflect that ๐Ÿ˜ change ๐Ÿšผ and ๐Ÿ‘ it ๐Ÿ’ฏ evolved along ๐Ÿ’ with ๐Ÿ‘ it. ๐Ÿ’ฏ By ๐Ÿ˜ˆ the ๐Ÿ‘ Ancient ๐Ÿ“œ Greeks and ๐Ÿ‘ Romans, art ๐ŸŽจ had ๐Ÿ’‹ become ๐Ÿ˜Œ a ๐Ÿ‘Œ more ๐Ÿ— advanced ๐ŸŽŠ version of ๐Ÿ’ฆ the ๐Ÿ‘ Stone ๐Ÿ’Ž and ๐Ÿ‘ Bronze Age ๐Ÿ‘ต arts. ๐ŸŽญ Better ๐Ÿ‘ drawings, paintings, and ๐Ÿ‘ the ๐Ÿ‘ addition of ๐Ÿ’ฆ mosaics. Sculptures eventually shifted from ๐Ÿ‘‰ stylistic expression to ๐Ÿ’ฆ naturalistic representation. Still ๐Ÿ‘ accessible to ๐Ÿ’ฆ everyone, ๐Ÿ‘ฅ yet ๐Ÿ˜‡ more ๐Ÿ— nuanced and ๐Ÿ‘ complex. After the ๐Ÿ‘ fall ๐Ÿ‚ of ๐Ÿ’ฆ Rome art ๐ŸŽจ stagnated and ๐Ÿ‘ didn't ๐Ÿšซ change ๐Ÿšผ very ๐Ÿ‘Œ much ๐Ÿ”ฅ for ๐Ÿ† nearly ๐Ÿ‘ฃ a ๐Ÿ‘Œ millennium. Early ๐Ÿ• Christian ๐Ÿ‘ผ art ๐ŸŽจ dominated ๐Ÿ˜ฉ for ๐Ÿ† the ๐Ÿ‘ most ๐Ÿ’ฏ part, ๐Ÿ’† consisting of ๐Ÿ’ฆ murals and ๐Ÿ‘ frescos and ๐Ÿ‘ simple ๐Ÿ”ข statues. All ๐Ÿ’ฏ of ๐Ÿ’ฆ which ๐Ÿ‘ were ๐Ÿ‘ถ based ๐Ÿ‘Œ on ๐Ÿ”› the ๐Ÿ‘ Ancient ๐Ÿ“œ styles. Romanesque and ๐Ÿ‘ Gothic art ๐ŸŽจ also ๐Ÿ‘จ built ๐Ÿ‘ upon ๐Ÿ‘ฆ these ๐Ÿ‘ˆ precedents. This ๐Ÿ‘ˆ all ๐Ÿ’ฏ changed ๐Ÿšผ when ๐Ÿ‘ the ๐Ÿ‘ Renaissance attacked. A cultural explosion changed ๐Ÿšผ the ๐Ÿ‘ art ๐ŸŽจ world ๐ŸŒŽ forever; ๐Ÿ• arguably starting ๐Ÿ˜ซ with ๐Ÿ‘ the ๐Ÿ‘ Italian artist, Giotto. He ๐Ÿ‘จ began ๐Ÿ”˜ using ๐Ÿป techniques like ๐Ÿ’– foreshortening and ๐Ÿ‘ linear perspective ๐Ÿ›ฃ so ๐Ÿ’ฏ that ๐Ÿ˜ the ๐Ÿ‘ material ๐Ÿ’Ž world ๐ŸŒŽ could ๐Ÿ”’ be ๐Ÿ represented as ๐Ÿ‘ it ๐Ÿ’ฏ appeared to ๐Ÿ’ฆ us. ๐Ÿ‘จ A ๐Ÿ‘Œ callback to ๐Ÿ’ฆ the ๐Ÿ‘ naturalistic stylings of ๐Ÿ’ฆ the ๐Ÿ‘ Greeks. Almost ๐Ÿ’ธ like ๐Ÿ’– a ๐Ÿ‘Œ reference to ๐Ÿ’ฆ the ๐Ÿ‘ days ๐Ÿ“† of ๐Ÿ’ฆ yore. A ๐Ÿ‘Œ celebration of ๐Ÿ’ฆ how ๐Ÿ’ฏ art ๐ŸŽจ used ๐ŸŽถ to ๐Ÿ’ฆ be, ๐Ÿ but ๐Ÿ‘ with ๐Ÿ‘ the ๐Ÿ‘ explosion of ๐Ÿ’ฆ new ๐Ÿ‘Œ techniques and ๐Ÿ‘ technologies, the ๐Ÿ‘ art ๐ŸŽจ grew ๐ŸŒฑ increasingly diverse. ๐Ÿ‘ฑ New ๐Ÿ‘Œ and ๐Ÿ‘ improved frescoes, meticulously crafted sculptures, architectural marvels and ๐Ÿ‘ the ๐Ÿ‘ inclusion of ๐Ÿ’ฆ new ๐Ÿ‘Œ materials ๐Ÿ˜† in ๐Ÿ‘ these ๐Ÿ‘ˆ works. ๐Ÿ‘” Instead ๐Ÿš” of ๐Ÿ’ฆ tempera, oil was ๐Ÿ‘ introduced along ๐Ÿ’ with ๐Ÿ‘ new ๐Ÿ‘Œ styles of ๐Ÿ’ฆ depicting light ๐Ÿ”… and ๐Ÿ‘ shadow through ๐Ÿ˜ฉ sfumato and ๐Ÿ‘ chiaroscuro. These ๐Ÿ‘ˆ techniques and ๐Ÿ‘ stylistic changes, ๐Ÿšผ while ๐Ÿ•— impressive, ๐Ÿ‘Œ were ๐Ÿ‘ถ simply ๐Ÿ˜ก an ๐Ÿ‘น advancement of ๐Ÿ’ฆ pre established ๐Ÿ” art. ๐ŸŽจ The ๐Ÿ‘ Renaissance paved the ๐Ÿ‘ way ๐Ÿ’ซ for ๐Ÿ† the ๐Ÿ‘ explosion and ๐Ÿ‘ diversification of ๐Ÿ’ฆ dozens of ๐Ÿ’ฆ art ๐ŸŽจ movements that ๐Ÿ˜ followed. From prehistoric art ๐ŸŽจ to ๐Ÿ’ฆ the ๐Ÿ‘ end ๐Ÿ”š of ๐Ÿ’ฆ the ๐Ÿ‘ Renaissance, art ๐ŸŽจ was ๐Ÿ‘ mostly about ๐Ÿ’ฆ the ๐Ÿ‘ same ๐Ÿ˜ฉ subjects and ๐Ÿ‘ used ๐ŸŽถ similar techniques to ๐Ÿ’ฆ accomplish the ๐Ÿ‘ goal ๐Ÿ’• of ๐Ÿ’ฆ producing a ๐Ÿ‘Œ work ๐Ÿข of ๐Ÿ’ฆ art. ๐ŸŽจ Yes, ๐ŸŽ“ the ๐Ÿ‘ technical proficiency exponentially improved but ๐Ÿ‘ considering the ๐Ÿ‘ centuries in ๐Ÿ‘ between, ๐Ÿ˜‰ few ๐Ÿ‘‡ true ๐Ÿ’ฏ advancements were ๐Ÿ‘ถ made.
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